Stop-motion animation : (Record no. 8947)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 03731cam a2200349 i 4500 |
| 001 - CONTROL NUMBER | |
| control field | 17888689 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20190127115848.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 130917s2014 enka 000 0 eng |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER | |
| LC control number | 2013036010 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9781472521903 (pbk.) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| Cancelled/invalid ISBN | 9781472539434 (epdf) |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | DLC |
| Language of cataloging | eng |
| Transcribing agency | DLC |
| Description conventions | rda |
| Modifying agency | DLC |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | pcc |
| 050 00 - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | TR897.6 |
| Item number | .P87 2014 |
| 082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER | |
| Classification number | 777.7 |
| Edition number | 23 |
| 084 ## - OTHER CLASSIFICATION NUMBER | |
| Classification number | PER017000 |
| Source of number | bisacsh |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Purves, Barry. |
| 245 10 - TITLE STATEMENT | |
| Title | Stop-motion animation : |
| Remainder of title | frame by frame film-making with puppets and models / |
| Statement of responsibility, etc | Barry J C Purves. |
| 250 ## - EDITION STATEMENT | |
| Edition statement | Second edition. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) | |
| Place of publication, distribution, etc | London : |
| Name of publisher, distributor, etc | Fairchild Books, an imprint of Bloomsbury Publishing Plc, |
| Date of publication, distribution, etc | 2014 |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 227 pages : |
| Other physical details | color illustrations ; |
| Dimensions | 24 cm |
| 336 ## - CONTENT TYPE | |
| Content Type Term | text |
| Source | rdacontent |
| 337 ## - MEDIA TYPE | |
| Media Type Term | unmediated |
| Source | rdamedia |
| 338 ## - CARRIER TYPE | |
| Carrier Type Term | volume |
| Source | rdacarrier |
| 505 8# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | Machine generated contents note: -- Introduction Chapter 1: What is stop-motion?The beginnings The illusion of movement PhysicalityA continuous performance Special effects Wholly animated filmsProject 1: Find your styleChapter 2: Focusing the idea Stories and themes Approaching the story A change of perspective Out of the mouths of... talking umbrellas? Atmosphere and substance EconomicsProject 2: What's the story?Chapter 3: The puppetsTelling the story with puppets The physical puppet Telling characteristics Stylised movement Replacements 3D printingEyes Hands Puppet size Clay Other techniques Project 3: Find your leading man (or mouse)Chapter 4: PreparationsWorking with others Sets Costume ColourProject 4: Set the sceneChapter 5: Chapter Tools and techniques Practicalities The camera Apps and other low-cost optionsLighting Sound Dialogue Special effects EditingProject 5: Setting up and getting startedChapter 5: Movement and performanceAnimating on the set Lively movementHelping the movement PerformanceProject 6: Make it read!ConclusionA brief history of stop-motionPicture credits Acknowledgements. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc | "Stop-motion Animation teaches the skills required to develop as a creative stop-motion animator. It explores how all the elements of film-making - camera work, design, colour, lighting, editing, music and storytelling - come together in this unique art form. With advice on how to use the particular types of movement, characters and stories that typify stop-motion, this book is packed with tips and suggestions to help you get the most out of your stop-motion films, accompanied by illustrations and case studies demonstrating how film-making masters through the years have used it in feature films, short films and television. This second edition also introduces and explores two of the biggest innovations of recent years - at opposite ends of the industry. At the top-end, for film-makers with serious budgets, there is 3D printing in the creation of replacement parts for stop-motion characters while at the amateur/student end of the industry there are a variety of cheap, but effective, apps that can turn turn a smartphone into a mini stop-motion studio. The new edition also includes an extended project in each chapter, covering storytelling techniques, selecting an appropriate style, developing a character, set building and lighting, creating a performance and adding music. These projects combine to lead you through the creation of your first one-minute stop-motion animation"-- |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name as entry element | Stop-motion animation films. |
| 650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name as entry element | PERFORMING ARTS / Animation. |
| Source of heading or term | bisacsh |
| 906 ## - LOCAL DATA ELEMENT F, LDF (RLIN) | |
| a | 7 |
| b | cbc |
| c | orignew |
| d | 1 |
| e | ecip |
| f | 20 |
| g | y-gencatlg |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| Source of classification or shelving scheme | Dewey Decimal Classification |
| Item type | Books |
| Withdrawn status | Lost status | Source of classification or shelving scheme | Damaged status | Not for loan | Home library | Current library | Shelving location | Date acquired | Total Checkouts | Full call number | Barcode | Date last seen | Price effective from | Koha item type |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Dewey Decimal Classification | Centeral Library | Centeral Library | Second Floor - Arts & Design | 16.11.2016 | 777.7 P.B.S 2014 | 24169 | 16.11.2016 | 16.11.2016 | Books |