000			01777cam a2200349 a 4500
999			_c10342 _d10342
001			3805255
005			20180116094235.0
008			850619s1985 enk b 001 0 eng
010			_a 85015230
020			_a0416327001
020			_a0416327109 (pbk.)
040			_aDLC _cDLC _dDLC
050	0	0	_aPR658.S42 _bB45 1985
082	0	0	_a822.009355 _219
100	1		_aBelsey, Catherine.
245	1	4	_aThe subject of tragedy : _bidentity and difference in Renaissance drama / _cCatherine Belsey.
260			_aLondon ; _aNew York : _bMethuen, _c1985.
300			_axi, 253 p. ; _c23 cm.
502			_aFirst published in 1985, The Subject of Tragedy takes the drama of the sixteenth and seventeenth centuries as the starting point for an analysis of the differential identities of man and woman. Catherine Belsey charts, in a range of fictional and non-fictional texts, the production in the Renaissance of a meaning for subjectivity that is identifiably modern. The subject of liberal humanism – self-determining, free origin of language, choice and action – is highlighted as the product of a specific period in which man was the subject to which woman was related
504			_aBibliography: p. 227-244.
650		0	_aEnglish drama _yEarly modern and Elizabethan, 1500-1600 _xHistory and criticism.
650		0	_aSex role in literature.
650		0	_aEnglish drama _y17th century _xHistory and criticism.
650		0	_aEnglish drama (Tragedy) _xHistory and criticism.
650		0	_aDifference (Psychology) in literature.
650		0	_aIdentity (Psychology) in literature.
650		0	_aDrama _xPsychological aspects.
650		0	_aRenaissance _zEngland.
906			_a7 _bcbc _corignew _d1 _eocip _f19 _gy-gencatlg
942			_2ddc _cBK