000			02744cam a2200421Ii 4500
999			_c10452 _d10452
001			871481632
003			OCoLC
005			20190122110820.0
008			130725s2013 enka e b 001 0 eng
020			_a9781137005854 (hardback)
020			_a1137005858 (hardback)
020			_a9781137005847 (paperback)
020			_a113700584X (paperback)
035			_a(OCoLC)871481632
040			_aAU@ _beng _erda _cAU@ _dVGM _dIAD
050		4	_aPN2091.S8 _bB318 2013
082	0	4	_a792.025 _223
100	1		_aBaugh, Christopher,
245	1	0	_aTheatre, performance and technology : _bthe development and transformation of scenography / _cChristopher Baugh
246	3	0	_aDevelopment and transformation of scenography
246	3		_aTheater, performance and technology
250			_a2nd ed
260			_aBasingstoke : _bPalgrave Macmillan, _c2013
300			_axix, 285 pages : _billustrations ; _c23 cm
336			_atext _btxt _2rdacontent
336			_astill image _bsti _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
490	1		_aTheatre & performance practices
504			_aIncludes bibliographical references and index
505	0		_aPerforming Great Exhibitions: A Nineteenth-Century Speciality -- Rejection of the Past: A Modern Mode of Thought -- The Scene as Machine, 1: Scenography as a Machine for Performance -- The Scene as Machine, 2: Constructing and Building the Scene as Machine -- The Scene as Machine, 3: The Kinetic Stage Machines of Josef Svoboda -- The Century of Light, 1: Diffused and Living Light -- The Century of Light, 2: Light Beams and Images -- The Scene as the Architecture of Performance -- Some Rejections of Technology in Theatre and Performance -- New Technologies and Shifting Paradigms -- Scenography as Dramaturgy of Performance
520			_aThroughout history, scenography has played a significant role in theatre, always drawing upon the latest technologies of manufacture and control. In the twenty-first century, it is fast becoming an artistic practice in its own right, engaging with audiences in varied ways. Christopher Baugh considers how change in scenographic identity has impacted upon the place and meaning of performance over the past 300 years. Thoroughly revised and updated, the second edition discusses: moving light technologies; the Internet as a platform of performance; urban scenography; scenography's role in the creation of memory; the development of scenography as a collaborative practice
650		0	_aTheaters _xStage-setting and scenery
650		0	_aTheaters _xStage-setting and scenery _xTechnological innovations
830		0	_aTheatre and performance practices
942			_2ddc _cBK