| 000 | 04022cam a2200337I 4500 | ||
|---|---|---|---|
| 999 |
_c2633 _d2633 |
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| 001 | 773597934 | ||
| 003 | OCoLC | ||
| 005 | 20170704110248.0 | ||
| 008 | 120123s2013 mau 000 0 eng d | ||
| 020 | _a9780495915782 | ||
| 020 | _a0495915785 | ||
| 035 |
_a(OCoLC)773597934 _z(OCoLC)741539177 |
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| 040 |
_aVVX _cVVX _dZNC _dBTCTA _dOCLCO _dYDXCP _dCRH _dDZA |
||
| 082 | _a745.4 | ||
| 090 |
_aT385.R68 _bD47 2013 |
||
| 092 |
_a745.42 _bR742d,2013 |
||
| 100 | 1 |
_aRoth, Richard _q(Richard Lee) |
|
| 245 | 1 | 0 |
_aDesign basics. _p3D / _cRichard Roth, Stephen Pentak. |
| 250 | _a1st ed | ||
| 260 |
_aBoston, MA. : _bWadsworth Cengage Learning, _c2013. |
||
| 300 |
_ax, 207 p. : _bcol. ill. ; _c28 cm. |
||
| 504 | _aIncludes bibliographical references and index. | ||
| 505 | 0 | _a1. 3D design introduction -- Introduction to three-dimensional design -- Looking -- Attentive observation -- Similarities and differences -- Connections -- Touch -- Tactile sensation -- Context -- A shaping force -- Site specific -- Learning -- Becoming informed and aware -- 2. Ideas and approaches -- Introduction -- Research -- Process -- The vessel -- Nature -- Tools -- Extending capability -- Transformation -- Transcending physicality -- Variation and deformation -- Altering form -- Thinking in series -- Focused investigation -- Conceptual strategies -- The idea becomes a machine that makes the art -- Play, invention, problem solving -- Discovery -- Simplicity -- Reductive sensibility -- Sketching, model making, and prototypes -- Ideation -- Detail -- Close attention -- Meaning and value -- An interpretive act -- Sources -- Generating creative energy -- Nature -- Geometry and mathematics -- Culture -- Worldview -- Belief systems -- Modernism -- Postmodernism -- 3. 3D design elements -- Introduction -- Form -- The cube -- Mass and space -- The art of the hole and the lump -- Line -- A point set in motion -- Plane -- The two-dimensional element -- 2D to 3D -- The relationship of the planar to the dimensional -- Surface qualities -- Texture -- Color -- Light -- Chromatic luminosity -- Time and motion -- Kinetic structure -- 4. 3D design principles -- Introduction -- Organization -- Unity -- Gestalt -- Unity and variety -- Dynamic partnership -- Repetition -- Visual and structural -- Modularity -- Pattern -- Ordered repetition -- Rhythm -- Fluid form -- Illusion of motion -- Origin and implementation -- Balance -- Actual and implied -- Symmetry -- Correspondence across a divide -- Asymmetry -- Dynamic form -- Harmony -- Unity, balance, order -- Proximity -- An organizational tool -- Emphasis -- Contrast -- Proportion -- Ratio -- Scale -- Comparative size -- The miniature -- Monumental -- | |
| 505 | 0 | _a5. Material -- Introduction -- Material carries meaning -- Workability -- Ease of use -- Material -- Bamboo -- New materials -- Technological development -- Sustainability -- Reuse and green design -- 6. Structure -- Introduction -- Structural principles -- Structural economy -- Efficient form -- Tension and compression -- Physical forces -- Joinery -- Structural connection -- Transformers -- Collapsible and expandable structure -- 7. Function -- Introduction -- Utility -- Design and art compared -- Art -- Form and function -- Style -- Signature and typology -- 8. Figuration -- Introduction -- Representation -- Illusion -- Camouflage -- Art and architecture -- 9. Forming and fabrication -- Introduction -- Making -- Basic forming -- Additive -- Subtractive -- Constructive -- The found object -- The readymade -- The altered readymade and bricolage -- Bridging art and life -- Art and everyday experience -- Hybrid form -- Blurring boundaries -- Industrial methods -- The machine aesthetic -- Computer aided design -- The future is here -- Replication technologies -- Basic and traditional -- New approaches. | |
| 650 | 0 | _aDesign. | |
| 650 | 0 | _aIndustrial design. | |
| 650 | 0 | _aComputer graphics. | |
| 650 | 0 | _aThree-dimensional display systems. | |
| 700 | 1 | _aPentak, Stephen. | |
| 942 |
_2ddc _cBK |
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