000			01736cam a22003374a 4500
999			_c713 _d713
001			49566366
003			OCoLC
005			20180523110956.0
008			020409s2003 miua b s001 0 eng
010			_a2002005533
020			_a9780472066896
040			_aDLC _beng _cDLC _dBAKER _dBTCTA _dYDXCP _dIG# _dHEBIS _dKIJ _dDEBBG _dBDX _dMHA _dOCLCF _dOCLCO
041	1		_aeng _hfre
042			_apcc
050	0	0	_aPN1584 _b.P3813 2003
082			_a791
100	1		_aPavis, Patrice, _d1947-
240	1	0	_aAnalyse des spectacles. _lEnglish
245	1	0	_aAnalyzing performance : _btheater, dance, and film / _cPatrice Pavis ; translated by David Williams.
260			_aAnn Arbor : _bUniversity of Michigan Press, _c2003.
300			_a362 p. : _bill. ; _c24 cm.
504			_aIncludes bibliographical references (p. 345-353) and index.
505	0		_aPt. 1. Conditions of Analysis -- 1. State of Current Research -- 2. Tools of Analysis -- Pt. 2. Components of the Stage -- 3. Actor -- 4. Voice, Music, Rhythm -- 5. Space, Time, Action -- 6. Other Material Elements of Performance -- 7. Staging the Text -- Pt. 3. Conditions of Reception -- 8. Psychological and Psychoanalytical Approaches -- 9. Sociological Approach to the Spectator -- 10. Anthropological Approach and Intercultural Analysis -- Conclusions: Which Theories for Which Mise-en-Scenes?
530			_aAlso issued online.
546			_aTranslated from the French.
650		0	_aPerforming arts.
650		0	_aPerforming arts _xSemiotics.
650		0	_aPerforming arts _xPhilosophy.
776	0	8	_iOnline version: _aPavis, Patrice, 1947- _sAnalyse des spectacles. English. _tAnalyzing performance. _dAnn Arbor : University of Michigan Press, 2003 _w(OCoLC)605567671
942			_2ddc _cBK