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008 140226s2014 enka b 001 0 eng c
010 _a2013481349
020 _a1408184079
040 _aBTCTA
_beng
_erda
_cBTCTA
_dDLC
_dBDX
_dUKMGB
_dYDXCP
_dCDX
_dN15
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_dOCLCQ
042 _apcc
050 0 0 _aPN1584
_b.P445 2014
082 _a791.43
100 _aCitron, Atay,
245 0 0 _aPerformance studies in motion :
_binternational perspectives and practices in the twenty-first century /
_cedited by Atay Citron, Sharon Aronson-Lehavi and David Zerbib
250 _a1st ed
260 _aLondon :
_bBloomsbury,
_c2014
300 _axi, 401 pages :
_billustrations ;
_c24 cm
336 _atext
_btxt
_2rdacontent
337 _aunmediated
_bn
_2rdamedia
338 _avolume
_bnc
_2rdacarrier
490 1 _aBloomsbury Methuen drama
504 _aIncludes bibliographical references (pages 340-382) and index
505 0 0 _gIntroduction /
_rAtay Citron, Sharon Aronson-Lehavi, David Zerbib --
_gMotion I:
_tPerformance studies: perspectives and prospectives. --
_tDionysus in 1966: the force of performative circumstances /
_rDavid Zerbib --
_tPerformance studies 3.0 /
_rHenry Bial --
_tCan we be the (New) Third World? /
_rRichard Schechner --
_gMotion II:
_tBeyond experimental theatre.
_tTable on stage: the rise of the messenger /
_rCarol Martin --
_tPerforming history, performing memory with the Th����tre du Soleil /
_rJudith G. Miller --
_tTextual dramaturgy and dramaturg-as-text: traditional versus new dramaturgy in the era of German post-dramatic theatre /
_rGad Kaynar --
_gMotion III:
_tPerformance in/of social spaces.
_tRe: location /
_rSharon Aronson-Lehavi --
_tCritically civic: Public Movement's performative activism /
_rDaphna Ben-Shaul --
_tRising from the rubble: creating the Museum of the History of Polish Jews /
_ran interview with Barbara Kirshenblatt-Gimblett --
_gMotion IV:
_tInto the political arena.
_tThe impossible disappearance of Belgium: notes on politics, dramaturgy and performance /
_rKlaas Tindemans --
_tNational street theatre: large-scale performances in Poland after the crash of the presidential plane /
_rDariusz Kosi��ski --
_t'Social transformance': in defence of political performance/art /
_rEva Brenner
505 8 0 _gMotion V:
_tAt war.
_tBeyond the boundary of the agora: the hilltop performance at the Western Front, 1915 /
_rAnnabelle Winograd --
_tDismantling road blocks: non-violent resistance of the Palestinian-Israeli group 'Combatants for Peace' /
_rChen Alon --
_tTheatre as metaphor: Is��ko Rwanda's Trilogy of time /
_rJennifer Herszman Capraru --
_gMotion VI:
_tContemporary rituals: challenges and changes.
_tAt the site of the void: inaesthetics of performance in the Bicol Dotoc /
_rJazmin Badong Llana --
_tNew technologies in Korean shamanism: cultural innovation and preservation of tradition /
_rLiora Sarfati --
_tPerforming Jewish prayer on stage: from rituality to theatricality and back /
_rSarit Cofman-Simhon --
_gMotion VII: Applied performance studies: therapy, activism and education.
_tAudacity and insane courage: dream doctors' secret remedies /
_rAtay Citron --
_tPerforming the world: the performance turn in social activism /
_rDan Friedman and Lois Holzman --
_tSocial performance studies: a new PS school with Chinese characteristics /
_rWilliam H. Sun and Faye C. Fei --
_gMotion VIII:
_tPerformance studies and life sciences.
_tWhat is performance anyway?: a cognitive approach /
_rTomasz Kubikowski --
_tThe mirror game: a natural science study of togetherness /
_rLior Noy --
_tPerforming science /
_rUri Alon
520 8 _aPerformance Studies in Motion' offers multiple perspectives on the current field of performance studies and suggests its future directions. Featuring new essays by pioneers Richard Schechner and Barbara Kirshenblatt-Gimblett, and by international scholars and practitioners, it shows how performance can offer a new way of seeing the world, and testifies to the dynamism of this discipline. Beginning with an overview of the development of performance studies, the essays offer new insights into: contemporary experimental and postdramatic theatre; participatory performance and museum exhibitions; the performance of politicians, political institutions and grassroots protest movements; theatricality at war and in contemporary religious rituals, and performative practices in therapy, education and life sciences. Employing original reflexive approaches to concrete case studies and situations, contributors introduce a variety of applications of performance studies methodologies to contemporary culture, art and society, creating new interdisciplinary links between the arts, humanities, and social and natural sciences. With studies from and about places as diverse as Austria, Belgium, China, France, Germany, Israel, Korea, Palestine, the Philippines, Poland, Rwanda and the USA, 'Performance Studies in Motion' showcases the vitality and breadth of the field today
650 0 _aPerforming arts
650 0 _aPerformance art
700 1 _aAronson-Lehavi, Sharon,
_eeditor
700 1 _aZerbib, David,
_eeditor
830 0 _aBloomsbury Methuen drama
942 _2ddc
_cBK